Journal52 Prompt 26: Under the Sea #Journal52 #ArtJournaling #Daler-Rowney


I had a difficult time with this prompt, because I was working on three other projects, two with deadlines, and I didn’t really want to stretch my creative attention any further.  So I just went with layers and negative shapes, which I’ve been using a lot of late, and sort of let it happen as it would.  If anyone is interested, I did take some photos of my process which I’ve posted below.

 

 

 

squirkled some color onto the page with Sharpie Brush Tips.  The orange was place for a sense of flow, but wasn’t necessarily meant to indicate the placement of fish.

 

I glazed over the page with a thin layer of Metallic Green Acrylic Paint.

I added strips of washi tape at random around the page.  At this point, I’m adding layers of texture, but still not planning where my fish will go.  I put very little thought into this piece–I just used technique I’m familiar with and let it happen.  (However, I later found that I had been following a certain flow–thats the result of experience.  You start doing things with your composition, automatically.)

I tore off strips from this scraps of string paper that I had, making sure I got a dangling string with each piece.  These strips made me think of Manta Rays, so this I placed them as fish.  Without planning it, I had been placing my orange and washi tape in a backwards ‘S’ flow, so I followed that flow in gluing down the fish.

 

 

Once dry, I coated everything with a layer of Decoupatch-sort of a cross between transparent gesso and gel medium.  Either of those two would also have worked. I wanted a medium that would even out the different textures and make a surface that can be drawn on, and more layers added.  (Sorry for the rotation.  The photo is in the correct direction but blogger insists on turning it sideways!)

 

 

 

I drew my fish.  With some, I roughly followed that backward ‘S’ flow and with others I went in the opposite direction.  I used a Pigma Micron pen because it is waterproof–though you do need to let it dry thoroughly.  Not just to the touch.  I usually let at least 45 minutes to an hour pass before I add wet medium over the ink.

 

 

While drawing my fish I discovered that the pink with leopard spots Washi tape had reacted badly to the Decoupatch and bits of it cracked and peeled off.  I’ve never had that happen before–with Decoupatch or any similar medium, so I believe it is the Washi tape at fault.  It was something cheap I picked up off a bargain table, so there you go.  It still looks kind of cool.

 

I glazed the page with Metallic Blue, but not over the fish, except for an occasional stripe.  Glazing simply means applying a thin, transparent layer of color over other colors.  The layer should be so thin that the layers below show through, but are subtly changed, not necessarily in color, but also in intensity.  In this case, I added a touch more blue to the overall green, and darkened it just a bit.  This made the fish, by comparison, brighter and greener.  The stripes I added here and there, gave the impression that the fish were ‘in’ the water, not ‘on’ the water.   The layers of the more transparent washi tape (the red &blue dotted type)  also helped with this impression.

 

If you look closely, you’ll also notice that with this layer of glazing, I left a fish shapes that I had not drawn with pen.  I made the shapes rough and not always complete.  This gives the impression that there are fish deeper and farther away, adding more depth.  (Not all the shape show up well in the scan).

 

 

For the last step, I used a white Sakura Gellyroll pen to add the foam, eyes, fins and bubbles.  The pen then rolled off the table, and I couldn’t find it for a few days, so I don’t have a photo for that, lol–you can see it in the finished piece though.

 

 

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One comment

  1. Jakki Keens Garlans · July 14, 2014

    As a person just getting into journalling – your step-by-step descriptions were very informative! I’m picking up knowledge where I can, classes are not an option at the moment, so I really appreciate your thoroughness. I love the end result – often pieces that are not over-though end up being wonderful. Thank you!

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